So whats up man this shit ain't goin down
Trust me, trust me
I know her man itt's gonna go down just be cool, be cool
She's never gonna buy that shit
Trust me
Alright look, Then I'ma go in there
And I'm just gonna start freakin that bitch down
She ain't gonna say shit watch
[Door opens]
Damn Tina you look mighty comfortable laying there naked
You mind if I go ahead and pull my dick out
Oh no, hell no
You like that?
I like to have my face fucked
That really gets me going
And I like what he's doing to me right now
He's stroking my pussy really lightly
Man there's all types of pussy rubbing and shit goin on
What the fuck I'm supposed to do
Fuck my face
Man come on man
This my hook up
Come on man let me get that shit
This is my hook up man get your ass away
Come on man let me fuck her first
This my shit
Shut up, what I need is his cock in my ass
Uhh uhh uhh you like it don't you?
Let's get high and just fuck
I'll hit you till you bleed
And we could just blame it on the weed
Little freak
Sucking me off making my knees weak
Rubbing my nuts when I cum making my voice tweak
She makes me feel like a champion
Late night when I call
She knows what's happening
I got a box of condoms and a mind full of tricks
A freak just for fucking with my balls and my dick
Get started
Legs parted
I hit it so hard the pussy farted
And now it's time to depart it
She took the rubber off
And then she shoved it in her mouth
It felt like I came from down South
Know about it
Pussy pleasing's just a part of the game
You gotta bang it till it falls right off
I do the same
Rub my dick in cocaine
And freak some nasty shit
It ain't the same without the pain
Bring the flavor bitch
2 on 1's not a problem
So you can bring your girl
And I can get the best of both worlds
Fuck until I hurl
Toes fell off, fuck a curl
She kept nibbling my nuts like a squirrel
I hit the weed and flicked the ash on her back
Fuckin her friend in the face until her jaw snapped
Oh shit, I can see her sucking on her tits
And I can't help but notice 4 fingers in her clit
She's a pro
I thought I saw her pussy glow
It could've been the sweat in my eyes
I don't know for sure
This freaks the shit for loving dick
It's sick, but man I love that fat bitch
She ain't afraid to admit she likes dick and,
She ain't afraid to admit she likes her pussy licked
She ain't afraid to let me fuck her in the ass
And always got her mouth open for the cum splash
She ain't afraid to admit she likes dick and,
She ain't afraid to admit she likes her pussy licked
She ain't afraid to let me fuck her in the ass
And always got her mouth open for the cum splash
Excuse me lady did you say you liked to fuck
Drop my drawers to my ankles, give my dick a suck
You like it rough?
I can feel my shit swelling and expanding
A one way trip down south, a crash landing
Right in your pink fun
I get the job done
Daddy was a pistol and I'm a son of a gun
As I shoot my load on your chest and titties
Gotta get my shit, we off to the next city
Go a long way just so I can grind you
Got enough dick for Ms. McCarthy
And the 50 single hoes behind her
A side winder
Never like the old timer
Keeping hoes properly worked like Jane Fonda (Uh)
My anaconda's got a mushroom cap
An immense craving for your pussy cat
Keep it moving like that
My dick is hard as steel
And I'ma freak that ass with some more sex appeal
Tell me how it feel when I push it all in
Eyes roll in the back of your head and you start to grin
If sex was a sin then a wicked bitch you'd be
With creepy ass titties and an eerie ass pussy
So ride my broom stick until you hear me cum
And school me on your methods of pink fun
Yeah
She ain't afraid to admit she likes dick
She ain't afraid to admit she likes her pussy licked
She ain't afraid to let me fuck her in the ass
And always got her mouth open for the cum splash
She ain't afraid to admit she likes dick
She ain't afraid to admit she likes her pussy licked
She ain't afraid to let me fuck her in the ass
And always got her mouth open for the cum splash
Yeah, know what I am saying
Yo, this be the Shaggy
Down with the Psychopathic Phamly
Down with Twiztid G
Know what I'm saying?
And yo check it out, I don't give a fuck
I like to get skins
I don't know about you muthafuckas
But yo I like em big
I don't give a fuck what
I like em skinny,bald,retarded,crippled
Spines on their backs
I don't give no fuck
800 pound-bitch come here sweetie
I'm gonna fucking tie your shit in a knot
And tap that shit
Know what I am saying?
Cause I love me some skins
I ain't going nothing about it
I'll hit a fucking 900 pound bitches neden from the back
Know what I am saying?
I'll wrap her legs backwards into a Boston crab
And go to work
Know what I am saying?
Fuck that shit I ain't no fucking fag like that
I like em stubbly so their whiskers tickles my balls
When they suck my dick
Know what I am saying?
I don't give a fuck
What, bring it on
She ain't afraid to admit she likes dick
She ain't afraid to admit she likes her pussy licked
She ain't afraid to let me fuck her in the ass
And always got her mouth open for the cum splash
She ain't afraid to admit she likes dick
She ain't afraid to admit she likes her pussy licked
She ain't afraid to let me fuck her in the ass
And always got her mouth open for the cum splash
Twiztid è un duo hip hop statunitense formatosi nel 1997 a Detroit, Michigan. Il gruppo è composto da Jamie Madrox (Jamie Spaniolo) e Monoxide (Paul Methfessel). Conosciuti per il loro stile musicale dark e horrorcore, i Twiztid hanno pubblicato una vasta discografia di album, mixtape e singoli, guadagnandosi un seguito fedele nel mondo underground hip hop. I loro testi spesso esplorano temi come la morte, l'inferno, le droghe e la violenza, presentati con un umorismo macabro e una forte componente narrativa. Tra i brani più rappresentativi si ricordano "The Dark Side", "Killin' Time" e "I'm a Monster". L'album di debutto "Mostasteless" (2001) ha segnato l'inizio della loro carriera, seguito da successi come "The Green Book" (2003) e "The 2nd Coming" (2005). Twiztid hanno collaborato con artisti come Blaze Ya Dead Homie, Tech N9ne e Dopehead.
La radio è morta? No. Ma non è più il cancello d'ingresso. Negli ultimi anni qualcosa è cambiato ? radicalmente. Canzoni sconosciute esplodono in pochi giorni. Artisti senza contratto discografico raccolgono milioni di stream. E le radio? Arrivano dopo, non prima. Il pubblico ha preso il controllo. Il potere dei video brevi: 15 secondi che cambiano tutto TikTok ha trasformato le regole del gioco musicale. Una melodia che dura meno di venti secondi può diventare il suono di un'intera estate. Nel 2023, oltre il 70% delle canzoni entrate nella Billboard Hot 100 aveva avuto un'origine virale su piattaforme social prima di ricevere attenzione radiofonica.
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L'inno di Mameli cantato da Laura Pausini in occasione dei Giochi Olimpici Invernali non smette di far discutere. Non è un caso isolato.
E' prevista per la prossima estate l'uscita del docufilm "Iron Maiden's Lost Singer", che riguarda Paul Di'Anno, cantante degli Iron Maiden dal 1978 al 1981, che è venuto a mancare a fine 2024.
La storica band mod torinese Statuto ristampa due classici della propria discografia, a partire da venerdì 13 febbraio saranno infatti disponibili per Sony Music gli album "Tempi Moderni" del 1997 e "Riskatto" del 1999. Il primo pubblicato originariamente nel 1997 torna oggi in versione doppio vinile 180 grammi e CD. "Tempi Moderni" contiene 12 canzoni in puro stile "brit e power pop" con ricchi arrangiamenti chitarristici e orchestrali, ammiccanti alle migliori produzioni di